The Filthy World of John Waters

“Indifference is the devil”.

A love letter to John Waters, by Stromo

Image courtsey of Devlin Wallace

Image courtsey of Devlin Wallace

I first stumbled upon the works of John Waters in my mid teens, when I discovered one of his films being shown late on channel four. It felt seedy and somewhat wrong, watching ‘Female Trouble’ at 2am, on a school night. I was openly disgusted yet enthralled at just how good at being bad it all was. The horrific acting, the camp dialogue, the garish costumes, the cheap vicious sets. It was so hard to watch. I instantly loved it.

I name checked him in the credits and put a face to his name shortly after ,when I saw him being interviewed on a late night talk show. His appearance was so bizarre and memorable. I loved his trademark sleazy pencil moustache – a look he’s retained since the early 1970s – he had the most hideous outfit on and his humour was so dark that I noticed a lot of the audience squirming. I revelled in it.

It was blatantly obvious to me that this man was gay. But a different breed of ‘gay’.  So far removed from the safe Asexual gay figures I was used to seeing in the media. John Waters had a rock n’ roll, punk feel to him. He truly didn’t seem to care what people thought. He said what he felt, no matter how shocking and controversial. It was refreshing. Finally a gay figure that wasn’t sanitised.

Never one to hide his sexuality, he first appeared on the cover of an underground U.S gay magazine in the early 70s and credits the gay community with being his first initial core audience.  Although he has said he cringes at the designation of ’gay film maker’. He believes his work should be judged on the output, not the fact that he happens to be gay – no one should be defined by their sexuality. His work may be littered with sex and sexuality, but there’s never been an intention to make a ‘gay movie‘.

His work is championed by people he believes are ‘outcasts from their own minority’.

This for me is an interesting quote.  I am gay, but yet don’t feel connected to the scene. I do understand and champion the fact that actually having a ‘scene’ is great. But for me it can be quite limited commercially. I find delight in live music, performance art, lyrics, film, theatre. I’d rather spend time enjoying those, than letting loose on the dance floor to Lady Gaga each weekend.

Most of John Waters works fall into the ‘cult classics’ category. From Divines iconic stomach turning roles in ‘Pink Flamingos’ and ‘Female Trouble’, to Kathleen Turners career turn around role in ‘Seriel Mom’ to his forays into musicals with ‘Hairspray’ and ‘Cry Baby’ – the former was recast and remade for the ‘High School Musical’ generation in the mid to late 00s. Ironically lapped up by middle America, if only they’d known who penned this satirical take on racial segregation in early 1960s Baltimore.

I find it sad that my generation of gay men seem to worship and crown various current celebrities as ’gay icons’ when they are seldom in fact gay or have done much for the community

There’s a host of openly gay artists within the media, who aren’t given the proper thumbs up from the community at large. John Waters is one of the last true great ‘gay icons’.

I’ve digested just about everything he’s written and filmed. My band (Cha Cha Heels) even takes it’s name from an iconic scene in ‘Female Trouble’. His left-field humour is so macabre, that I revel in peoples reactions to it. They may detest his work, but he’s gotten a reaction.  Indifference is the devil.

On top of directing, writing, producing and his sideline in comical fine art he occasionally performs a spoken word show and tours globally with it, which is aptly entitled ‘This Filthy World’.

The only world I’m interested in living in.

John Waters – a true ‘gay icon’.

John Waters BW

Recommended works

Pink Flamingos (Film – 1972)
Female Trouble (Film – 1974)
Shock Value (Book – 1981)
Crackpot – The Obsessions of John Waters (Book – 1987)
Hairspray (Film – 1988)
Cry Baby (Film – 1990)
Seriel Mom (Film – 1994)
Role Models (Book – 2010)

Here Come The Grooms

“We set out to find the perfect, rustic (read cheap) wedding venue that would cope with our many Scottish, Swedish and English wedding guests, including several children and the odd alcoholic

Josef Church-Woods

Will you marry me? A question that, as a 30-year-old gay man, I had never really banked on being asked…I had hoped, soppy romantic that I am, but I’d never been bold enough to expect it.

Yet there I was; on the steps below the Sacré Coeur, balding, hugely unfit, and still panting after a brisk walk up and down the hills of Montmartre, with my better half – dry-mouthed, bug-eyed and nervously fidgeting in his pocket for the ring – popping that often elusive and much sought-after question.

In hindsight, I realise that the proposal shouldn’t necessarily have come as such a surprise…aside from the fact that we just happened to be on a surprise anniversary holiday in Paris, the romance-capital of the World, same-sex couples tying the knot is no longer as exotic as it once was. Civil partnership legislation came into force in Scotland in December 2005, and over the following two years, more than 2,000 gay ceremonies took place.

Admittedly, there was probably a certain amount of back log, with a surge of couples who had wanted to commit to each other legally for years bursting to make use of the much anticipated new law. But with an average of almost 60 civil partnerships per month I think it’s fair to say that the gays of Scotland are embracing their right to wedded bliss.

My man and I, plus all our family and friends, certainly were! But I have to admit, while I was well up for tying the knot, I hadn’t actually really considered the amount of work that goes into organising it. It’s all very well to say ‘I do’, but finding a suitable venue, a decent outfit and agreeing on a guest list is a different matter altogether.

David-Lachapelle-Photo

With the proposal out of the way, and quite a few months of passive engagement bliss behind us, it was time to get down to the nitty gritty. We had spent a great deal of time talking about the big day and building castles in the sky that would make an average fairytale wedding look like The Royle Family in a caravan park. However, planning the actual event with two huge families, a bunch of high maintenance friends and a rather tight budget proved a very different experience indeed.

We decided to start with what seemed like the logical first step; the venue. After initially booking a fancy Art Deco hotel in the centre of town, with a penthouse function suite and a castle view, we soon realised that in order to accommodate our modest finances and immodest families, we’d have to down-size.

Not to worry; the hunt’s half the fun, right? Still glowing with the eager enthusiasm of two Brownies selling tablet for commission, we set out to find the perfect, rustic (read cheap) wedding venue that would cope with our many Scottish, Swedish and English wedding guests, including several children and the odd alcoholic.

Having ruled out budget hotel chains and several of our favourite bars which weren’t licensed for children, we were beginning to feel deflated when a good friend mentioned that she had been to a ceilidh at a little bohemian, city-centre oasis of a cafe, which apparently had a charmingly antique, wood-panelled function area on the first floor.

The café itself, and the filthy staircase leading up to the hall, should have told us to approach with caution, but not even a bunch of vegan Spaniards with dreads smoking wacky-baccy could have prepared us for what lay ahead.

The hall, as it turned out, with its tin foil-clad windows and piles of junk in the corners, was about as charming as a fart at a dinner table. Call us snooty gays, but as hard as we tried to see the potential, we just couldn’t get over the feeling of having crashed someone’s junkie squat. Composing our wrinkled noses into what hopefully resembled polite smiles, we made our excuses and exited swiftly, feeling itchy and a bit depressed.

Several weeks of disappointing venue explorations followed, with all candidates being too expensive, too impractical, or just plain impossible. We even arranged a tour of a hotel in Dunfermline at one point, but thankfully my partner cancelled it after I broke down in tears, sobbing something incoherent about Buckfast and queer-bashing.

Just as hope was starting to fade, an acquaintance mentioned that many years ago her sister had gotten married in a small hotel at the southern outskirts of the city centre, which at the time at least had seemed very pleasant. Slightly nervous of arousing anticipation, we made an appointment to meet with the manager.

While the hotel in question is by no means the central, chic boutique hotel we had originally dreamt of, it’s definitely a very big step up from the other plausible venues. More importantly though, the function room is affordable, pleasant and takes up to 190 guests, and the staff have proved to be very accommodating, even offering us the option of bringing our own bubbly for the welcome drinks.

Feeling rather pleased with ourselves, we moved on to what seemed like a much more straight forward task; the guest list. After all, how hard can it be to invite people to a party?

Having informed everyone and their uncle about the engagement and pending nuptials we’d always known it was going to be a big event, but even with 110 seats at out disposal at the Registry Office, we were struggling to squeeze everyone in. Add to that a sweet but somewhat over-eager father-in-law who persistently keeps inviting any random relatives or friends he happens to get talking to when he’s had a drink, and our lovely, spacious Registry Office hall was suddenly beginning to feel slightly cramped.

Originally, I argued that settling the guest list is no big deal; people will understand that not everyone can come and that this is essentially just a themed party, not the negotiation of world peace. But I soon learned that my casual attitude was not only naïve, but also rather foolhardy.

Apparently, wedding guest lists are not only dead serious, but also, an invite is pretty much a friendship deal-breaker. Even if you’re not actually friends.

As this realisation was dawning, I found myself questioning how exactly you explain to someone you’ve known and socialised with for the last 10 years that they’re just a bit too boring to make the cut. And then there’s the proverbial minefield of making your husband-to-be understand why you want to invite a good friend who also happens to be an ex-boyfriend.

One thing I have learned over the last year is that, between falling out over exes, venues and invites, making it to the altar is a minor miracle in its own right. Not that I would have answered the big question any differently in hindsight, but maybe I would have been less likely to laugh off the concept of a wedding planner.

Having said all of that, I couldn’t be happier about how everything is turned out. We negotiated who to invite and why, where to get hitched and what to wear – I resigned myself to the fact that a kilt’s probably the closest I was going to get to a fluffy white dress – and had a great day full of family, friends, food and drinks.

And while same sex couples getting hitched is no longer the extreme it once used to be, the really beautiful thing about gay weddings today in my opinion is that it’s not yet bogged down by convention.

Sure, you still face the same dilemmas as any other couple planning their big day, and of course there are gay people who want a traditional wedding, but once your grandmother’s got her head around two men declaring their undying love in public, it’s easy enough to be as avant-garde – or indeed as conventional – as you want.

AN UPDATE ON WHAT WE’RE DOING

It’s been over a month now since we started LGBTicons and so far the response has been largely positive.

We’ve always stated that this is a work in progress, and as such we’ll constantly be tweaking our direction in response to how effective our content is.

Though the profiling people of achievement element of LGBTicons remains a priority, we now intend to expand content to feature more general information, including news and opinion pieces that we deem significant or interesting to the LGBT community.

We’d love it if you’d stick with us as we try out some new ideas.

As always, we’re very happy to hear from you with suggestions for content.

Email LGBTicons@gmail.com or leave comments below, on twitter or facebook.

BCW & JCW

New HIV Infection in gay men at all time high.

“HIV-negative gay men diagnosed with an STI should really treat it as a ‘wake up call’.

By James Gallagher

Health and science reporter, BBC News

The number of gay and bisexual men being diagnosed with HIV in the UK reached an “all-time high” in 2011, according to the Health Protection Agency (HPA).

It said there had been a “worrying” trend since 2007, with more and more new cases each year.

Nearly half of the 6,280 people diagnosed last year were men who had sex with other men (MSM).

Overall, one in 20 MSM are infected with HIV.

Of those diagnosed in 2011, nearly two-thirds had not been to a sexual health clinic in the previous three years.

Read more:

Louis Walsh receives €500,000 damages from the Sun

“We need some sort of regulator that could act to pre-empt false stories getting in the paper, otherwise I think we are going to go back to square one.”

Louis Walsh receives €500,000 damages from the Sun

X Factor judge was subject of a false story claiming he had sexually assaulted a man in a Dublin nightclub

Read more:

Kicking Back With Megan Rapino

‘It kind of got to the point in my life where it was, ‘Why am I not out?’ It’s an important thing. It’s important to me and I think it’s important in general. ‘I think my fans knew that I was gay and accepted me anyway and I think now it’s even been more of an embrace and more people have accepted me. I guess it’s just my rose colored glasses but I thought it was going to be positive.’

Greg Hernandez for Gay Star News

US soccer star and Olympic gold medalist Megan Rapinoe decided that the time had come for her to be completely open about her sexuality.

So before competing in the Olympic Games in London, the 27-year-old midfielder on the US women’s soccer team came out publicly as a lesbian. Read more.


Follow Megan on twitter @mPinoe

Where Have All The Heroes Gone? – Step Up For Uganda

“Accurate scholarship can unearth the whole offense, from Luther until now that has driven a culture mad”.

September 1, 1939. Auden

 

David Kato

This week, Uganda’s infamous “Kill the Gays” bill is back. If it passes, this horrific law could allow the death penalty for lesbian and gay Ugandans. It could pass at any moment.

President Museveni once promised to veto this heinous bill. But Uganda’s politicians are desperate to pass the bill and they’re pressuring Museveni to give in. The Speaker of the Parliament is actually calling it a “Christmas gift” to Uganda!

Last May, millions of people stood up with activists from across Uganda to stop this very same law – and it worked.  Now we have to do it again.  We need to take action and share this far and wide.  We need every voice to build a massive outcry that the media and world leaders can’t ignore.  The pressure could be enough to stop this bill in its tracks:

www.allout.org/uganda

According to the All Out team’s partners,  the bill is now up for debate and can be voted on at any moment. As Ugandan politicians work to finalize the the text of the bill, one thing is clear – if passed, it will force lesbian, gay, bi and trans Ugandans into the shadows.  Despite global opposition, some politicians in Uganda refuse to give up the bill and one is even calling for a new regional law, that would send every gay person in Africa to jail – for life.

If this bill passes in Uganda, it wouldn’t just mean tragedy for gay and lesbian Ugandans – it could set off a domino effect across the continent. Will you add your name and ask your friends to sign with you now?

www.allout.org/uganda

These politicians are using homophobia to distract Ugandans  and the world  from the very real problems they’re supposed to be addressing at home, from corruption to freedom of the media. They’re playing political games with people’s very lives and lesbian, gay, bisexual and trans Ugandans will pay a steep price if they win.

With millions of us together, we helped knocked this bill off course once before. Our friends in Uganda need to know we still have their backs.  Sign now and then ask your friends to get on board – there’s no time to lose!

www.allout.org/uganda

In December 2009, Uganda’s Parliament first considered whether gay people should be executed.  A Ugandan politician had written legislation, the Anti-Homosexuality Bill, after a visit from American evangelists who advocated a programme to cure homosexuality.

As soon as it was put forward, many human rights groups predicted that a government seriously considering the death penalty for gays would result in an open season of lynchings.

In October 2010, a Ugandan newspaper published a diatribe against homosexuals with a picture of Gay Rights Advocate David Kato on the front page under the words: “Hang Them.”

Last year he was beaten to death with a hammer. The police called it a robbery. Mr. Kato’s friends were emphatic: He was killed because he was gay.

The Subversive Spirit of Nigel Coates

“Life wasn’t unhappy, just very limited. When I go back there now I can’t believe how conservative it is, how I survived it, but I expect I didn’t know any different, even if I knew it wasn’t really me. I hated it. I couldn’t wait to leave.”

Born in 1949, and trained at University of Nottingham and the Architectural Association. Coates is one of Britain’s consistently original thinkers in architecture, interior and product design. He has led a parallel career in teaching, design practice and artistically driven, internationally recognised work.

He grew up as a gay teenager in Malvern, the determinedly provincial spa town in Worcestershire. “Life wasn’t unhappy, just very limited. When I go back there now I can’t believe how conservative it is, how I survived it, but I expect I didn’t know any different, even if I knew it wasn’t really me. I hated it. I couldn’t wait to leave.” His father, an engineer, wanted him to get “a proper job. But he’d take us all on family trips to see cathedrals and castles, which kicked off my interest in architecture, and he was a hobby painter, one of those who copy things in minute detail.”

His subversive spirit first came to public attention in 1984 with the publication of NATO (Narrative Architecture Today) magazine. A manifesto for a socio-culturally engaged and popular, narrative driven architecture, it advised readers to be the architects of their own lives, and in doing so, to radically adapt the buildings around them. Certain themes, in particular that of narrative, have continued in Coates’ designs and research ever since. Beyond issues of function or style, narrative, he asserts, is a language of design that builds on people’s everyday experience. Form must follow fiction.

He has continued to explore the communicative and experiential potential of architecture as a language drawn from the commonplace. He believes that the city is best understood if explored as a living organism, and that popular experience and culture are central to the experience of architecture. His work plays on psycho-geographic association between the built environment and desire. Time and motion, he says, is the dynamic partner to the fixed, physical world.

Art and literary strategies, including the curation of others, find their way into many of his projects. Coates has designed and built influential interiors, exhibitions and buildings around the world. His build works in Japan include Caffè Bongo, the Wall, Noah’s Ark and Art Silo, and in Britain, the National Centre for Popular Music (now the Hub), Powerhouse::uk and the Geffrye Museum.

Throughout his colourful career, he has pursued experimental work that has been shown in an art and design context, including such exhibits as ArkAlbion shown at the Architectural Association in 1984, Ecstacity at the same venue, Mixtacity at Tate Modern in 2007, and Hypnerotosphere at the 11th Venice Architecture Biennale in 2008.

He is also a prolific designer of lighting and furniture, with links to Alessi, AVMazzega, Ceramica Bardelli, Frag, Fratelli Boffi, Poltronova, Slamp and Varaschin. Since 2010 he is represented by the Cristina Grajales Gallery New York. Examples of his work are held in collections around the world including the Victoria & Albert Museum, Cooper Hewitt and FRAC. Having lead the Department of Architecture at the Royal College of Art from 1995-2011, he is now an RCA Professor Emeritus. His book Narrative Architecture (Wiley) will be published in 2012.

Craig Jones: Rocking the Boat

“I’m the type to aspire to command a ship, I’m not the ship’s hairdresser. I was chatting to a civilian the other day who thought all our gay men and women were probably stewards.“

Up until 2008, Craig Jones was possibly the most senior publicly gay member of the military; he came out after 11 years in the service in 2000, on the day gay people were legally allowed to join the forces. As a Royal Navy Lieutenant, he was the lead consultant for the gay community in the armed forces from 2001, and in December 2005 he was appointed an MBE for his contribution to diversity within the Royal Navy, and for his support of gay and lesbian personnel.

“The first couple of years [after the lifting of the ban] were an intense experience. I knew how Custer felt when he was waiting for the cavalry to appear. There were very few people who were out at that time, and to an extent I kind of felt that I carried the aspirations for the policy to succeed on my shoulders.”

And those shoulders needed to be pretty sturdy against the general stereotypes that society offered as the changes came in.

“I’m the type to aspire to command a ship,” he said in 2000. “I’m not the ship’s hairdresser. I was chatting to a civilian the other day who thought all our gay men and women were probably stewards.“ Hardly,”

In 2008, Jones retired his sealegs and moved to Barclay’s Wealth as Global Head of Diversity where he continues to work towards equality for all.

Tina Kotek’s Chamber Of No Secrets

“We all look for people out there who look like us”


An Oregon woman will be the first openly lesbian lawmaker to lead a state legislative chamber in the U.S.

Democrats in the state House Thursday night chose Rep. Tina Kotek of Portland to be the next speaker. The decision must be formally ratified in January.

Kotek’s selection notches another milestone from an election that brought a series of victories to the gay community. Voters last week elected the first openly gay U.S. senator and the first bisexual member of Congress.

She will be the first gay woman to get the top job in a legislative chamber.

Kotek said she didn’t set out to break barriers but is honored to represent the gay community saying it’s important for the gay community to have role models in leadership positions.

“We all look for people out there who look like us.  I have had emails and text messages from people who are very excited. I think any time you have a ‘first’ it’s an important thing for the community.”

Gay leaders will also control the House or Senate in four other states: Washington, California, Colorado and Rhode Island. The Gay and Lesbian Victory Fund says that’s more than ever before and up from two before the election.